Once you’ve finished editing your video project, Premiere Pro allows you to easily export your sequence in the format best suited for your needs. Before getting too caught up with codecs, frame rates, and other settings, however, it’s essential to determine the delivery destination of your video. Where will it be screened/viewed? Are you exporting it for web upload or are you looking to deliver a high-resolution file to a client? In this quick tutorial, we’ll focus on a step-by-step approach for exporting video in the H.264, ProRes and Photo-JPEG codecs.

1. ProRes 422 Standard Definition / High Quality codec. ProRes 422 SD/HQ is the same codec operating on two different bitrates (flavours). Two different FOURCCs are used in order to indicate each flavour.
2. According to Apple, this tool will allow QuickTime to play Apple ProRes 422 files, using the codec that provides 'visually lossless, uncompressed HD video at SD data rates' for Final Cut users.
3. Bigasoft ProRes Converter for Mac is designed for Mac users to encode or decode all types of Apple ProRes codecs including ProRes 4444, ProRes 422 (HQ), ProRes 422, ProRes 422 (LT), and ProRes 422 (Proxy).
4. That can be played simultaneously for Apple ProRes RAW HQ and Apple ProRes RAW on a 28-core Mac Pro. Apple ProRes 4444 and Apple ProRes 422 HQ are included for comparison. ProRes RAW ProRes 422 HQ ProRes 4444 0 3 6 9 12 Mac Pro – Final Cut Pro X Multistream Playback DCI 4K 59.94p ProRes RAW HQ 12 12 11 5.

If the content is complex (with small repetitive patterns in background for example etc.), AfterCodecs' ProRes has a hard time matching the official Apple bitrate: files can be 50% bigger but they will also be of higher quality. If that happens, you can try to step down the profile (e.g. Choose Normal over HQ).

Exporting in H.264

In order to get your export going, make sure your timeline window is highlighted and click on File > Export > Media (keyboard shortcut Cmd+M or Ctrl+M). This will open the Export Settings window.

At the top, you’ll see an option to “Match Sequence Settings.” In most cases, it’s best to stay away from this and leave this checkbox unchecked.

Under “Format,” choose H.264. This is by far one of the most popular and efficient codecs in use. These files offer good quality at a reasonable size, which make them great for web upload, as well as sharing between clients and collaborators.

Under “Preset,” you’ll see a long list of video presets. A recommended preset to get started with is Match Source – High bitrate.

This preset matches your output video to the core source settings (resolution, frame rate, etc.) and sets the bitrate settings (at the bottom) to 10 – 12 Mbps. These bitrate values are an “average quality” starting point for 1080 HD. In order to get the optimal quality out of your export, you might want to raise these a bit higher (~ 20 Mbps or higher). Keep in mind that determining the right bitrate for your video is based on the source footage you’re working with, as well as delivery needs. The higher the bitrate, the larger the file size.

Tip: You can create and save custom presets in order to quickly load them for future exports. Just specify your settings in the lower part of the Export Settings window and click on the “Save Your Preset” button next to the “Preset” dropdown.

Next, specify where you want to save the exported video file on your machine. Click on the blue Output Name, choose the folder, and hit “Save” (this destination is specified under “Summary”).

Click Export!

Note that you can tweak specific settings individually under Basic Video Settings. For example, you can uncheck the checkbox next to the resolution dimensions (Width/Height) and adjust them yourself (e.g., when exporting a 4K sequence in 1080 HD resolution).

Exporting in ProRes (Mac)

ProRes is another popular post-production format that allows editors to maximize performance and quality. Even though the codec was designed to be used as an editing format (not a delivery format), many clients and film festivals have adapted it as a playback codec. Here’s how to export in ProRes:

Format: Quicktime
Video Codec: Apple ProRes 422 (or HQ for higher quality — but this will result in a much larger file size).
Click on Match Source under Basic Video Settings.
Click Export!

Exporting in Photo – JPEG (Mac or PC)

Format: Quicktime
Video Codec: Photo – JPEG
Click on Match Source under Basic Video Settings.
Click Export

Of course, there are many other options and settings you can play with, but this basic guide will get you started with getting your video into a viewable and shareable format. Once you’ve got it down, you can experiment more to find your optimal result.

Hi, I am on a Mac and have Compressor installed, which lists all of the Apple ProRes codecs. However in Media Encoder, all are listed except for the 4444 XQ. Apple ProRes codecs take full advantage of multicore. Apple ProRes 4444 XQ is the highest-quality version of Apple. Call 1-800-MY-APPLE, or find a reseller. Apple ProRes White Paper. Apple ProRes 4444 XQ. Like standard Apple ProRes 4444, this codec supports up to 12 bits per image channel and up to 16 bits for the.

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Contents. Summary ProRes is definitely a collection of advanced codecs, which indicates they are usually designed for use during video editing, and not for useful end-user viewing. The advantage of an advanced codec is usually that it retains higher quality than end-usér codecs while still requiring very much less costly disk techniques likened to uncompressed movie. It is certainly equivalent to Avid'beds or which provide identical bitrates and are usually also meant to become used as advanced codecs.

ProRes 422 is usually a -based -only codec and will be as a result simpler to décode than distribution-oriénted types like. In 2018 Apple added a fresh 'ProRes RAW' (compressed ) to Last Cut Professional A, after Blackmagic Style implemented compressed Bayer as ' 3:1' and 'CinemaDNG 4:1' in their video cameras and Da Vinci Fix. ProRes 422 Crucial features. 8K, 5K, UHD, 2K, HD (up to 1920×1080)SD promises.

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chroma subsampling. 10-little bit sample level.only encoding. Adjustable bitrate encoding. Regular 147 and Top quality 220 Mbit/beds and ProRes (LT) 100Mlittle bit/s mainly because properly as ProRes Próxy for HD 45Mbit/s for HD resolution at 60i. Regular 42 and High-Quality 63 Mbit/beds for SD quality at 29.97. Quick encoding and decoding (both at complete dimension and fifty percent size) ProRes 4444 and ProRes 4444 XQ ProRes 4444 and ProRes 4444 XQ are formats created by for use in and consist of support for an leader sales channel. ProRes 4444 has been launched with Final Cut Facilities (2009) as another in the company's range of intermediate codecs for modifying materials but not for last delivery.

It shares many features with various other, 422, codecs of Apple company's ProRes household but offers better high quality than 422 HQ in colour detail. It has a focus on data price of approximately 330 Mbit/s for 4:4:4 sources at 1920x1080 and 29.97 frames per second ProRes 4444 XQ has been released with edition 10.1.2 in June 2014. It has a focus on data rate of approximately 500 Mbit/h for 4:4:4 sources at 1920x1080 and 29.97 frames per second, and requires OS Times v10.8 (Mountain Lion) or later Key features. 8K, 5K, 4K, 2K, HD (up to 1920×1080)SD promises. 4:4:4 chroma subsampling. Up to 12-touch sample depth for video. Variable bitrate encoding.

Alpha approach support at up to 16-touch sample level Playback On 28 August 2008, Apple company released a free of charge ProRes QuickTime Décoder for both ánd that allows play-back of ProRes data files through QuickTime. Open source projects On 15 September 2011, presented a decoder fór ProRes 422 for., a hand of FFmpeg customized for transmission and expert usage, facilitates ProRes 422 and 4444 data files. On 1 Oct 2011, presented an open source real decoder for ProRés 422, a translate of FFmpeg version.

Encoding Installing Final Trim Professional will set up the ProRes codecs for encoding data files on OS X. Apple released ProRes included with additional professional codecs as á download for customers with 'qualifying copies of Last Cut Professional, Motion, or Compressor' installed, for Operating-system X with QuickTime 7.6 and newer. At the April 2010, released the 1st Windows 7 platform with the capability to encode tó all the varieties of Apple ProRes at rates of speed far faster than actual period on their Clipster product. On Walk 31, 2011, Telestream added support for ProRes development on Home windows techniques with Episode Engine, Vantage, and FIipFactory as a free update to the current versions of these products. The system must end up being running on Home windows Server 2008 and become capable to support this function.

ProRes movie capturing and output to strapping is available in Telestream's Pipeline system encoder. On 29 October 2011, FFmpeg presented a free of charge encoder, enabling ProRes 422 encoding on all FFmpeg supported systems. On 1 November 2011, released an open source natural encoder for ProRés 422. At the April 2012 NAB Display, Brevity presented a customized formula for the expanded transport and development of ProRes files. Frame layout A common ProRes 422 frame offers the right after layout: Body pot atom Framework header Picture 1 Picture 2 (interlaced structures just) ProRes hardware The provides a built-in ProRes saving unit for its 1080p and 2K movie streams, supporting ProRes 4444 and all ProRes 422 versions. As of June 2011, various hardware-based ProRes encoders exist, from (; and transportable recorders, and ), Atómos (Ninja and Sámurai recorders), (PIX series recorders), Convergent Styles (Odyssey7, 7Q, 7Q+), and Quick Forward Video (Sidekick récorder). At NAB 2012, Blackmagic introduced ProRes recording assistance for their HyperDeck recorders simply because properly as onboard saving on the Blackmagic Cinema Video camera, and Brevity announced a GPU-baséd ProRes transcodér with simultaneous accelerated file transportation.

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In 2013 Blackmagic Style launch Blackmagic Movie theater Camera that report in organic and Prores files directly in video camera 4:2:2 10bit. In 2013 Convergent Style presented their Odyssey7 and Odyssey7Queen keep track of/recorders that can record in Apple company ProRes 422 (HQ) and are usually authorized by Apple. In 2014 Atomos released their most recent sophisticated recorder Shogun that can record 4K in Apple company ProRes. In 2015 AJA launched the CION production video camera that can catch 4K/UltraHD/2K/HD to all Apple ProRes 422 types as well as Apple company ProRes 4444 in 12-bit.

In 2016 Blackmagic Style release UrsaMini 4.6k that can capture from 4.6k to HD in all Apple company ProRes taste from Proxy tó 4444 in 12-little bit. See furthermore. Sources. Adcock, Whilst gary (2009-03-03). ProVideo Coalition.

Retrieved 2009-03-12. Style, Blackmagic. Apple ProRes White colored Paper July 2009. ^ JCode authors (2011-10-01). Retrieved 2015-10-24.

Sports Video Team. Retrieved 2012-05-14. Video Systems. Atomos.

External links. site.

Apple ProRes 4444 XQ is the highest-quality version of Apple company ProRes for 4:4:4:4 picture sources (including alpha channels). This structure offers a very high data price to protect the detail in high-dynamic-range symbolism produced by nowadays's highest-quality electronic image sensors. Apple company ProRes 4444 XQ maintains dynamic ranges several periods better than the powerful variety of Rec. This keeps true even against the rigors of intense visual results control in which toné-scale blacks ór shows are extended significantly. Like standard Apple ProRes 4444, this codec supports up to 12 bits per picture funnel and up to 16 pieces for the alpha dog channel. Apple ProRes 4444 XQ functions a focus on data rate of around 500 Mbps for 4:4:4 resources at 1920x1080 and 29.97 frames per second.

ProRes 4444 XQ is backed on OS X Mountain Lion v10.8 or later. Apple ProRes 4444 is definitely an extremely high-quality version of Apple ProRes for 4:4:4:4 image resources (including alpha channels). This codec features full-resolution, mastéring-quality 4:4:4:4 RGBA color, and visual faithfulness that can be perceptually indistinguishable from the unique material. Apple ProRes 4444 is certainly a high-quality remedy for storing and exchanging motion graphics and composites, with great multigeneration functionality and a mathematically lossless leader approach of up to 16 parts. This codec functions a incredibly low information rate likened to uncompressed 4:4:4 HD. It offers a focus on data rate of approximately 330 Mbps for 4:4:4 resources at 1920x1080 and 29.97 frames per second. It also offers direct encoding of and decoding to both RGB and Y'C BC L pixel platforms.

Apple Prores Codec For Windows

Apple Prores 422 Hq Codec Download Mac Iso

Apple ProRes 422 HQ will be a higher-data-rate edition of Apple ProRes 422 that preserves visual high quality at the same high level as Apple company ProRes 4444 but for 4:2:2 image sources. With popular adoption across the video clip post-production sector, Apple company ProRes 422 HQ provides visually lossless upkeep of the highest-quality expert HD video clip that a singIe-link HD-SDl signal can have.

Prores 422 Proxy

This codec supports full-width, 4:2:2 video resources at 10-bit pixel depths, while remaining visually lossless through numerous ages of decoding and reencoding. The target data rate is around 220 Mbps at 1920x1080 and 29.97 frames per second.